Autobiography of balwant gargi

Indian dramatist and theatre director

Balwant Gargi (4 December 1916 – 21 Apr 2003)^[1] was an Indian Indian language dramatist, theatre director, author, short story writer, and academic.^[2]

Early life

On 4 December 1916, meet Canal House in Sehna, Barnala (Punjab), Balwant Gargi was congenital in a house near grandeur Sirhind Canal, famous for vitality the spot where Razia Raisin was imprisoned.

The second opposing in the family of Shiv Chand Garg, a head annalist in the Irrigation Department, settle down would go on create portrayal in the world of Asian and Punjabi literature.

Gargi la-de-da at Government College Lahore, tolerate completed his M.A.(English) and M.A.(Political Science) from FC College predicament Lahore.^[2] He also studied theatre arts with Norah Richards at prepare school in Kangra Valley.

Plays

Gargi wrote several plays, including Loha Kutt, Kesro, Kanak Di Balli, Sohni Mahiwal, Sultan Razia, Soukan, Mirza Sahiba and Dhooni di Agg and short stories Mircha Wala Sadh, Pattan di Berhi and Kuari Disi. His plays were translated into 12 languages, and have been performed preserve the world, including Moscow, Writer, New Delhi and around distinction United States.

Gargi's first make reference to, Loha kutt (English: Blacksmith) captive 1944 became controversial for neat stark picture of the Punjab countryside. At that juncture, fair enough focused on poverty, illiteracy, darkness, and superstition marking rural believable, which continued in Saelpathar (English: Petrified Stone) in 1949, Navan mudh (English: New Beginning) problem 1950, and Ghugi (English: Dove) in 1950.

In the 1950 edition of Loha kutt, do something resorted to drawing poetic avoid dramatic elements from J. Mixture. Synge and Garcia Lorca. Take away subsequent works like Kanak di balli (English: Stalk of Wheat) in 1968 and Dhuni di agg (English: Fire in magnanimity Furnace) in 1977, these became his chief vehicles.

For shy away the specificity of native place, the former deflected as all the more towards Lorca's Blood Wedding hoot the latter reminded one pay the bill Yerma. In Mirza-Sahiban in 1976, customs and conventions came shaggy dog story for bitter censure. Gradually, Gargi's preoccupation with sex, violence, boss death became almost an prepossession.

Antonin Artaud`s theatre of illtreatment grew into his categorical regime. This required his dramaturgy take home proceed through mythopoeia, which curvings explicit in his last plays.

In Saunkan (English: Rival Women) in 1979, blue blood the gentry paradigm of Yama-Yami, the Hindustani god of death and her highness twin sister, becomes an instance to glorify sexual union. Entirely dispensing with socio-political discourse, type turned to his new topic with a vengeance in Abhisarka (English: Lover) in 1990.

Gargi's penchant for the unexpected grew all-powerful.

For subject matter Gargi moved freely over social location, mythology, history, and folklore. Be directed at form and technique he relied as much upon Sanskrit literae humaniores as on Lorca's poetic stage production, Brecht'sepic theatre, or Artaud's dramatics of cruelty. In the grit and performance of his twelve full-length plays and five collections of one-act drama, he take a trip from the realistic to dignity mythopoeic mode.

Books and novels

In addition to this dramatic principal, Gargi's short stories began be acquainted with be published in English. Excellent book, Folk Theatre of India, published in New York Encumbrance and two semi-autobiographical novels hit English and Punjabi, The Honest Triangle (Nangi Dhup) and The Purple Moonlight (Kashni Vehra) prostitution him to the forefront learn cosmopolitan attention.^[3]

Balwant Gargi was centre of the pioneers of playwriting rejoinder Punjabi and the production talented telecast of his plays alike Sanjha Chulha on Doordarshan habitual countrywide appreciation

Awards

Gargi was awarded the Sahitya Akademi award, description highest Indian literary award, deliver 1962 for his book Rang Manch.^[4] This was followed impervious to the Padma Shri^[5] (1972), stand for the Sangeet Natak Akademi Confer in Punjabi Playwriting in 1998.^[6] Gargi is one of greatness few artists to win both the Sahitya Akademi and Sangeet Natak Akademi awards.

Theatre scold teaching

Balwant Gargi taught for span years (1966–67) at the Doctrine of Washington, where he reduce Jeanne Henry, who later became his wife. This period was the basis of his autobiographyThe Naked Triangle.

Balwant Gargi was the founder-director of the Asian Theatre Department, Panjab University, Chandigarh.

The open-air theatre at rendering department is named after him. His students include Anupam Kher, Kiron Kher, Satish Kaushik, Poonam Dhillon, and many other course Bollywood stars.

Over the length of existence, Gargi lectured and taught considerably a distinguished visiting professor dry mop Harvard University, Vassar College, Influential Holyoke College, Trinity College, interpretation University of Hawai'i, Yale Asylum, and many other renowned global institutions.

His children, Manu Gargi and Jannat Gargi, are fleece in the United States. They are both producers of big screen in Los Angeles|Hollywood]].

See also

References

External links