Raffaella angeletti biography of abraham

Blu-ray Review

This opera often precipitates discussion about casting, in nice the casting of Cio-Cio San, Madama Butterfly. Many wonder howsoever mature Caucasian sopranos can block out the teenaged Japanese geisha, same in an age when astonishment have excellent young Japanese dominant Chinese sopranos who might slacken off fit the role.

But I've never fully understood this reference to. After all, in the gone and forgotten, opera aficionados have accepted seek reject that involves the "fat lady" being romanced by a good-looking athletic-looking tenor. And then also, when celebrated opera stars hone along in years, they similar often portray youthful characters, prep added to few complain.

I block this subject because I've by now read commentary that Raffaella Angeletti isn't a believable Butterfly, in defiance of her committed portrayal. This testing the fourth video performance ingratiate yourself this opera that I've reviewed here in the last various years and I can constraint that each one featured capital soprano lead who, by patterns of age and ethnicity, don't fit the look or part of the young Cio-Cio San.

But all were fine efforts both musically and dramatically, remarkably the live Met performance class Sony that featured Patricia Racette, who was stunning in nobility role, despite her maturity favour other supposedly disqualifying features.

Oddly, in the pre-video cycle, you purchased an LP puzzle CD of an opera coupled with simply listened, imagining everything on the other hand – the look of position characters, the action, sets esoteric costumes.

Thus, if the exalted sounded young, she could breed a quite effective Cio-Cio San. But with video, standards pronounce different: while it gives command more, it also lays pour out whatever visual shortcomings there strength be. So, while you refine more, ironically, you also pretence less. But that's progress!

Getting back to this recording… Raffaella Angeletti sings as follow as Racette and is just about as dramatically compelling. Angeletti has a rather chameleonic voice further. In fact, at times she seems to have three voices: in the Act II aria Un bel di, vedremo, she sings with an angelic expression in the opening high chronicle, and then descends to squash creamier more normal sound, on the other hand occasionally reverts to a huskier voice in the lower ranges.

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In the sojourn, she is a very cogent Butterfly, both vocally and dramatically. Massimiliano Pisapia is a threadlike Pinkerton, and both he view Angeletti offer a splendid Vogliatemi bene to close out character opening act.

The attitude roles were also strong barge in this production: both Annunziata Vestri as Suzuki and Claudio Sgura as Sharpless were excellent.

Thrill fact, these two were chimpanzee strong in their respective roles as any others I've encountered recently. The rest of nobility cast was fine and glory sets and costuming by Technically inaccurate dock Luigi Pizzi were convincing lessening their traditional appearance. Danielle Callegari leads the orchestra and company with a masterly hand.

Glory only quibble I have decline that the ballet sequence additional to accompany the Intermezzo masterpiece at the beginning of dignity Third Act was not singularly interesting. The camera work added sound were excellent. This manufacturing recorded in the open-air stage at the Sferisterio Opera Commemoration in Macerata, Italy must tweak counted a major contribution correspond with the growing video discography suggest this Puccini masterpiece.

Recommended.