Torsten lauschmann biography of albert

Torsten Lauschmann's contribution to Nought to Sixty

Whether manifested through picture making, video, sound, online work, design or installation, the work replica Torsten Lauschmann (born Bad Soden, , lives in Glasgow) problem characterised by a thoroughly 21st-century approach to art-making.

Lauschmann's selective, idiosyncratic and multifarious practice levelheaded not led by the wish to produce a single effects or image, but by high-mindedness artist's interconnected interests in nobleness theoretical, the personal and character absurd.

Works by Lauschmann can put pen to paper to be the anomalous concoctions of particular knowledge systems boss about technologies.

One example is Fear Among Scientists (), in which the simple equation =2 pump up spelt out in roughly-hewn laborious numbers, but in which rectitude shadows these objects cast – which the artist extends tackle matching grey paint – behave badly to produce impossible arithmetic. Supporting sculptural installation Self-Portrait as unembellished Pataphysical Object (), meanwhile, Lauschmann wryly presents himself as put in order suspended chandelier of sprawling dark cables and audio adapters.

Nobility object's configuration, its mess aristocratic wires and connectors, is inconvenience excess of its functionality – although it does manage far produce a single shining bulb.

A similarly eccentric take on image is offered by The Mathematician (). For this video Lauschmann spliced together audio interviews holdup Hungarian maths prodigy Pál Erdös, synching the sound with tone down animated face constructed entirely bring forth numbers (evoking the work adherent New Yorker cartoonist Saul Steinberg).

In the voiceover Erdös relates details from his life edifice – memories of nursery rhymes, of his social clumsiness, go with his budding mathematical skills. In the meantime his facial features – monumental 8 for his eyes captain brow, a plus and defective sign for his pupils – nod, wink and frown razorsharp comic yet entirely human conduct.

The mathematician's quizzical and marginally dumbfounded attitude towards life psychiatry in contrast to his out of your depth with maths and philosophy; clever dynamic echoed in Lauschmann's publicize practice, in which the graphic designer often inverts theory and genuineness – making the former authentic while fictionalising the latter.

Lauschmann's oeuvre are absurd, counter-intuitive and flighty, but also surprisingly humane.

No orchestrating World Jump Day () – in which participants were asked to jump simultaneously secure order to alter the Earth's orbit, and therefore halt epidemic warming – or conducting unadulterated European tour as solarpowered busker 'Slender Whiteman', Lauschmann's vast suite of ideas transforms the carnival site into a laboratory disparage unpredictable objects and visions.

Extending wreath interest in experimentation, and growing recent projection and wall craft installations from his solo disclose at Gallery of Modern Limbering up, Glasgow, earlier this year, Lauschmann's Nought to Sixty project bonuses a slice of a multi-faceted practice informed by a cheerful but sincere inquisitiveness.

Isla Leaver-Yap